中华文化论坛

巴蜀地区不仅是西南文化的中心地带，更是各民族交互往来的重要文化走廊，其音乐文化在多民族互动、地理环境塑造与历史变迁的作用下，形成了鲜明的交融共生特征，体现出“多元一体”的文化格局。巴蜀音乐不仅承袭了汉文化的审美体系，还深度吸纳了藏、羌、彝、苗等少数民族的音乐元素，展现出音调多样、节奏多变、曲式复合的文化特征。音乐作为文化认同的媒介，反映了巴蜀文化的包容性与持续性。在全球化语境下，借用音乐地理学视域研究巴蜀音乐文化，不仅有助于深化对巴蜀音乐文化交融机制的理解，也为中国多民族音乐文化的整体性研究提供了理论借鉴，对民族文化认同构建、非物质文化遗产保护及“一带一路”背景下的文化交流均具有重要现实意义。

Bashu district is not only the central zone of southwestern culture, but also a significant cultural corridor for the interaction of various ethnic groups. Its music culture, influenced by multi-ethnic interactions, geographical shaping and historical changes, has formed distinctive characteristics of symbiotic integration, embodying a cultural pattern of “diversity in unity”. Bashu music not only inherits the aesthetic system of Han culture, but also deeply absorbs musical elements from ethnic minorities such as Tibetan, Qiang,Yi and Miao, displaying cultural features of diverse tones, variable rhythms and composite musical forms. As a medium of cultural identity, music reflects the inclusiveness and continuity of Bashu culture. In the context of globalization, employing the perspective of musical geography to study Bashu music culture would not only help to deepen the understanding of its integration mechanisms, but also provide theoretical insights for the holistic study of China's multi-ethnic music culture. It holds significant practical implications for the construction of national cultural identity, the protection of intangible cultural heritage, and cultural exchanges in the context of the “Belt and Road” initiative.